THIS SHORT STORY WAS WRITTEN BY MENCHU AQUINO SARMIENTO.
JOJO was idly tracing arcs and swirls on the rooftop of the Faculty Center. He was alone and his urine fizzled slightly on the pleasantly warm concrete with the hiss of rain. As in the unforeseen workings of mimetic magic, there did then arise from the heat-swollen earth, the vapors of a slight precipitation to come. Jojo felt triumphant, a personal sense of accomplishment. Maybe he was some kind of shaman, and he didn’t even know it: a still untapped power which was his by right of his Indo-Malay cultural heritage and through the divine workings of that mythical hole in the sky, the same one through which government subsidized psychics during the fabulary Marcos regime had discovered supernatural powers streamed forth. Maybe it was because his was an astrological water sign, Pisces, that he could make water with such skill, channeling through well-considered sphincter and priapic muscle control, the purposeful and selective release of his electromagnetically charged bodily fluids, delicately balancing the rise and ebb of ions and protons in the atmosphere. A few minor adjustments and with enough practice, he could raise up a storm or even a light summer drizzle. He bestowed a genial benediction upon the acacia trees whose susurrant leaves and splayed, interlacing black branches always made him grateful he had gotten into the Diliman campus.
Another name for acacia was raintree. Miss Farrin, his third year high school English teacher in Masbate had taught him that. She had asked him to read a sentimental love story about rain trees set in Baguio. Jojo had been aware that she was watching him read all the while with a moist, intent earnestness as though she had handed him a treasured memento, a part of her soul, and now wanted to see how he would receive it. With a lazy spitefulness, he’d told her that acacia timber was also known as monkey pod wood. A hint of pained distaste creased her perpetually anxious features. It was as though he had profaned a shrine, so he had considerately added that he liked the name raintree better. She had tremulously pronounced him sensitive, telling him that she sensed in him from the start a special vibration and had asked him to walk her home as she had all the five sections’ final quarter exams and reports to carry.
It had rained, just like in the story they’d read, and he had to wait it out in the little room she rented behind the provincial bus station. After helping her arrange the piles of test papers and book reports according to section and in alphabetical order, they had sat side by side on her army surplus cot with the faded, blue-flowered Chinese cotton coverlet and the line of troll dolls and stuffed toys. Neil Young was wailing away on her portable audiocassette player and she had leaned gently against him, her frail body redolent of Wrigley’s Spearmint Gum and Johnson’s Baby Cologne and told him of all sorts of insights she’d had into his character that he had never even realized were there. Then for lack of anything better to say or do in response to her utterances, and wanting to see besides how she, an older woman and a figure of authority, would react to such overtures, he had boldly grabbed her, suddenly turning and landing so heavily on her, he practically squeezed the breath out of her as he pressed her against the thin mattress. The bedsprings shrieked while his smooth large hands cupped her bony buttocks through her nylon bikini panties.
“Sus ginoo—Arru-uy! Agu-uy!” Miss Farrin had interjected, forgetting the carefully enunciated English that she had cultivated all those years since she’d been a Rotary scholar. And that had been Jojo’s first time, when he was just a boy of fifteen, and he was proud of it. They had done it three times that afternoon. He was proudest though of not having had to pay for it and that it was with a woman who was eight years older, had been baccalaureated in a Manila university and passed the government licensure exams. It was as though being with her would allow some of her accomplishments to pass through in some weird form of capillary action into his own underachieving being.
Miss Farrin gave him money to take a tricycle home, fussing over him with a reverent and diffident tenderness that made him want to laugh. That was also the first time he’d been kissed on the ears. He didn’t like that part, and had recoiled at her tongue lathering warm saliva along the ridges and hollows of his ears. The next week, Miss Farrin bought him two T-shirts from the town viajera, genuine Bossinni and Giordano, and black hightop Converse sneakers. They had gone on seeing each other for a while until she left to take up post-graduate courses at FEU. Miss Farrin had written to him hopefully several times during his senior year and sent him more T-shirts. She must have heard that he was in Manila, too, but he had never gotten in touch with her there and expected that one day, when he was home on vacation, he would learn that she’d married, or even better, gotten the teaching position she’d dreamed of in Guam or Brunei.
On hindsight, Miss Farrin’s judgment may have been as good a reason as any for Jojo’s decision to be an artist, besides not being smart enough to get into one of those quota courses on the UP College Admission Tests. He had gotten in on a certificate course but had planned to shift to a bachelor’s degree program later. During the talent test, they’d been asked to draw a human figure in charcoal, a detail from a calendar reproduction of Luna’s Spolarium. He’d noticed the college dean staring intently at him and had insolently spread his legs, adjusted his crotch and stared right back. The old man’s mouth had made a little “o” of schoolgirlish surprise. Later, all a-dither with avuncular good will, he’d offered to give Jojo a private scholarship. Jojo accepted. He had been quite an innocent then. The only gay men in Masbate had been, as expected, hairdressers and dressmakers and the Boy Scout Master. He’d never expected to meet one in such an exalted position and was frankly curious. Besides, the dean always made it a point to be seen with young girls at discos and to be photographed bussing some high society lovely at an artsy event.
The summer before that freshman schoolyear, Jojo had gone with the dean and his current favorite, Ferdie Danao, to one of those gay Santacruzans in Malabon. Ferdie, a somewhat pudgy bemoustached mestizo who looked like a Super Mario Brother (he was also an advertising model) and had tried to paint like Anita Magsaysay-Ho, had chattered cheerfully about this up and coming couturier who had a heavy crush on him. Dean Batumbacal’s skin rash shone through the layers of his makeup foundation under the acidic gleam of multicolored incandescent bulbs strung along the streets. Several times, he discreetly rubbed his paunch against Jojo’s rump, and just to tease him, Jojo had wriggled ever so slightly back. That was as far as he went for now. He believed there was integrity that on principle, he would never do it with another man although he enjoyed their unabashed admiration. Otherwise, he was bored. The spectacle of these urban queens with their well-defined, overarched eyebrows and tricolored hairdos, demurely parading in clouds of lime and fuchsia organza and ruffles, or black satin sheathes and tulle was disheartening. It was so safe, so predictable and provincial, looking for all the world like a Masbate cotillion. This was his first outing with the beau monde and it was like he had never left home.
Jojo wasn’t even supposed to be up on the Faculty Center roof. Too many horny kids and freaks were using it to make out, to drink tequila or vodka and to smoke grass, so the Blue Guards had hammered a waist-high wooden barrier at the foot of the stairs. But so what—there was no door at the top anyway—it had long been ripped off its hinges—so everyone just climbed over that practically useless fence. Right now though, it was still broad daylight, so he had the place all to himself. He’d just been to a screening of a French documentary about that American expressionist artist Jackson Pollock who’d killed himself way back in the fifties. Jojo wondered why Filipino artists so rarely committed suicide. A deficit of angst? Offhand, he couldn’t think of even one.
On one of the walls of the Faculty Center roof deck, someone, probably a colegiala, had scribbled some lines from Saint Exupery’s The Little Prince in a wavery, sensitive colored chalk script. Miss Farrin had been gaga over The Little Prince and had been disappointed that he hadn’t shared this passion. She’d insisted that everything in the slender little book had some deeper esoteric symbolic meaning, including the three volcanoes on the Little Prince’s planet. The one that was dormant, she interpreted to be his sex drive. Jojo couldn’t remember what the other two were supposed to be and wondered why it was even important that they be about anything. Those academics who were forever analyzing and categorizing and setting limits and gradations on thought amused him. The integrity of their footnotes and their bibliographies left him cold. He had no qualms about stealing other people’s ideas if he could. He had no respect for intellectual property, especially not Third World intellectual property. He wondered how someone from Masbate could be such a snob and was amused by his own presumptuousness.
Jojo tapped the head of his dick expertly and the last tiny drops spattered close to his foot like a signature. With insouciant grace, he zipped himself up. He had given up wearing underwear because it saved him money, was less laundry for him to do and more of a turn on for some girls. It worked for him that he resembled a bulol icon with his angular features and the glints of verdigris in his skin, an effect he’d since learned to emphasize with layers of brass slave bracelets that reached midway up his sinewy forearms, rings strategically pierced through one earlobe, and tattoos around his wrist. A real chick boy, agreed the guys who had called themselves S.M.E.G.M.A.—Ang Samahan ng mga Egoy at Gago na Matitigas ang Ari. Ginayuma mo ‘ata, p’re, they joked with a trace of envy and admiration. He never had to pay for it and even had to avoid them when they waited for him, uninvited at his dorm. Since Miss Farrin, there had been more girls than he could count on his fingers and toes. Not bad for a guy who was not yet eighteen.
AS he left the building, Jojo mulled over a project proposal to cover the entire rooftop of the Faculty Center with the bodily fluids of one hundred Filipino artists in celebration of the Centennial, sort of like a liquid Cristo, that Greek guy who he’d heard got Fortune 500 corporations and governments to give him a lot of money just to wrap things in tarpaulins or parachute silk. Bodily fluids being as ephemeral and transient as time and serving as a metaphor for the corresponding illusory nature of our freedom and nationhood, which were likewise ephemeral and transient, ever changing and impermanent and all that, along with some kind of profound statement about political and artistic consciousness in the Third World being as ephemeral and transient as bodily fluids etc. He just needed to find the right Derrida-ish—or was that Foucault?—diction for it and hoped Mr. Beltran the art theory professor had the right texts.
The guy in the movie had piously divided Pollock’s work into style periods: le drip, le dribble and le splatter, and he really meant it. The French are so serious about everything especially high culture. A very attractive man, Pollock, Jojo decided and wondered if it was true that he had swung both ways. Ferdie Dayao, being half-white himself, claimed that although Caucasian penises were generally larger, they were not as stiff as Oriental ones. He had preened prettily before Jojo during their last outing, when they went skinnydipping at Pansol. Jojo had looked on politely, with detached curiosity. He wondered if piss, puke and spit would pass for a project as hallowed as the coming Centennial. To enhance the whole project, he would put in a background of ethnic music and maybe some tribal dancers. Then he could call it a multimedia experience.
Once he’d asked Mr. Beltran what the whole art thing was all about and he’d stared coldly back at him, like a bilious fish through his rimless oval reading glasses then rumbled deep in his narrow scholar’s chest, his rounded shoulders hunching up aggressively: “What do you think it’s about, Cruz? I’m sick of all these pretentious pseudo intellectuals who read art reviews then pass off the opinions in them as if they were their own. What about it, Cruz? Why don’t you tell me what you think it’s all about?”
“Well, sir, I guess I’m just another pseudo-intellectual myself,” Jojo had softly said, and he really meant it. He was not insulted. That sort of got Mr. Beltran off balance, like by a mental jiujitsu trick. Jojo was not about to get into a discussion with a guy who probably jerked off to Art News. He felt that it was a really Zen experience, except that if he could say it, then it probably wasn’t, and he probably was not Zen either. But it was good just the same to have everybody slapping his back and giving him high fives after the class, and saying “Okay ka, pare,” like he’d done something really heroic. What a lot of shit that was but still kind of fun anyway.
No comments:
Post a Comment